Statement for Hit and Run

“사건의 연속”을 위한 디자인 / Design for “Spiral of Events”
Flyer: 부조화의 지진대 A seismic zone of incongruities
by Dr. Sytze Steenstra

경기창작센터에서 김나영 & 그레고리 마스에게 제작해준 기존의 인쇄물 위에 한 번 더 인쇄를 해 다시 활용
Reused the existing copies of Nayoungim & Gregory Maass’ printed matters used in the Gyeonggi Creation Center.

Designed by 신동혁 Donghyeok Shin
June 2011


Dr. Sytze Steenstra 싯쩌 스틴스트라의 글 " A seismic zone of incongruities" 에서

김나영과 Maass 작품은 구성 요소 의 폭넓은 틈으로 구성되어 있다.
그것들은 협곡과 으로 벌집이 되어발견된 대상들, 기억하기 쉬운 구, 바보 은 말장난만화나게 의적인 추함뭉툭한 패러디들로 이루어진 대단히 불안정한 도시 풍경의 진대를 구성한다.
일반 대중에게 전체적인 짜임새는 쓰레기만을 기고 머릿속에서 사라져갈 것이다.
그러나 이 작품들은 신이 지금까지 보아온 수없이 은 형편없는 TV쇼고, 영화들을 고 있다는 인상을 다. 그리고 당신은 그것들이 알고 있다는 사실을 알고 있다. 그리고 이들은 네오다다, 플럭서스와 아트를 상당히 알고, 이들에 기반을 두는 것으로 보이며, 컨셉과 미니멀 사이에서 빠르게 움직인다.
그리고 이 모든 것은 형식과 무의미를 구별 지으며, 바보스러움과 추함 사이의 은 틈이 넓어지고 있다는 것, 실재는 단지 시될 이라는 것, 당신의 기심이 점 깊어지고 있다는 것을 분명히 한다.
아마도 당신은 어린 시절, 당신이 그릴 수 있는 어떤 것 보다도 만화가  실해 보였으므로 그 그리기를 기했던 그 간을 경험할 수도 있다.
아마도 당신은 사람들이 기의 경험을 말하는 대신에 전에  영화나 TV 로그램의 줄거리를 하는 파티에 갈 수도 있다.

이 작품들은 이런 순간들에 관해 이야기 하고자 하는 것처럼 보인다.

A seismic zone of incongruities

The installations and drawings by Gregory Maass and Nayoungim documented in this book consist mostly of widening gaps between the constituent parts. They form a seismic zone, riddled with ravines and fissures, eminently unstable cityscapes of found objects, catchy remarks, dumb puns, cartoons, gleefully deliberate ugliness, blunt parody. To the untrained eye, there is very little to keep the whole shebang from falling in over your head, leaving only rubbish. But the installations give the appearance of knowing that you've seen as many bad television shows as they have, and as many commercials, and as many films, and you know that they know, and they know that you know that they know. And they appear to know, and secretly build on a good deal of, say, Neo-Dada and Fluxus and Pop Art, and they have zapped from Concept to Minimal and back, and all that has taught them to keep their formlessness apart from their meaninglessness, making sure that the chasm between the dumb and the ugly is widening, that the real is only suggested, and that your curiosity is getting involved. Perhaps you have been through a moment, as a child in school, when you gave up drawing because cartoons always looked more convincing than anything you yourself could draw. Perhaps you have been to parties where people would tell you the plot of films and television programmes they had seen the other day, instead of telling from their own experience. This art seems to be willing to talk about such moments.

from "Conceptual Cartoons in Suggestion City"
written by Sytze Steenstra

publised by GCC
Oct. 2010

Photographing Les Liaisons Dangereuse, 2013

Ceramic animals, antique hats, show window, single chanel video with Douglas Park (Reading 'Les Liaisons Dangereuse')
Dimension variable
Oct. 2013

Installation view @ Space C, Coreana Museum of Art, Seoul
in the Group Show 'Tell me her story', curated by Myungji Bae

Rainy street

Nov. 2019

No Parking Signs

Nov. 2019

with Gulim Kim 김구림

Aug. 2011


 L175 x H175 x160cm
Papier mache

@ the solo show_Survival of the Shitest
3 bis f, lieu d'art contemporain
26th Mar.-22th Apr. 2009 

Likka Eye, 2008

Stencil on plastic
Sep. 2008

Auto-focus show,Gallery Shilla, Daegu

Oct. 2008

Water Transport

Feb. 2014

Auto-focus show installation & opening


photos by Jnk Hong 
Sep.-Oct. 2008

Found Paintings

Nov. 2014

Snowman on the garage Models

July 2010

단추 테이블 Button Up!, 2012

wooden table, buttons

Installation view @ The abyss gazes also2012

Daegu Photo Biennale 2012 사진의 과학
Photo by Young June Lee
Sep. 2012

Installation view @ The Fluxus is on the Floor, or the Floor is on the Fluxus ? 플럭서스가 플로어에 놓였는가 또는 플로어가 플럭서스 위에 놓여있는가,  at the group show 러닝머신LEARNING MACHINE, Nam June Paik Art Center, Yongin
27 June -16 Oct. 2013
photos bz Chulmo Yang 양철모
Installation view @ Reprospective show
Sungkok Art Museum, Seoul
22 May- 30 June 2019